ZERO is an ongoing exploration of form, perception, and temporality. Drawing from the spirit of Chinese Shanshui painting, I translate the idea of landscape into new material dimensions—creating works that hover between surface and object, print and sculpture. Each piece is built through layers of silkscreen prints and acrylic on wood, forming terrains that appear both constructed and organic.

In ZERO series, I experiment with a new kind of screen printing that exists between the surface and the spatial, inviting viewers to move around the work, to sense time as cyclical and continuous. These works are not only representations of landscapes, but also meditations on how space, rhythm, and stillness coexist within the act of seeing.